How To Do White Balance

Photos by Passy White Balance 01

Different light sources produce light with slightly different colour tints, but our eyes do a great job correcting these variations.

Humans do not see a shift in colour as we move from a sunny garden into a shaded area, or go into a room and turn a light on.

Generally wherever we are, a piece of plain white paper always looks white.

However Digital Cameras DO detect light source differences, and sometimes create pictures with incorrect looking colours in them.

We need to know how to perform “white balance” adjustments, so that we can obtain pictures with realistic colours in them.

 

Here is a great five minute introductory video about White Balance.

White Balance is very mathematical in nature. There is a Scale of Colour Temperature, and a range of camera settings to be matched up with positions on this scale.

There is also the notion of positive and negative amounts, where we add in more of the opposite colour, to counteract a particular colour tint, hue, or cast in the photo.

 
 

White Balance Problems

If we do not set the White balance correctly, we get photos with unpleasant colouring in them.

Here is an example of a Photo with Incorrect White Balance.

Photos by Passy White Balance 02

In the above picture on the right, the White balance was set Too Low, and so the Camera removed orange and yellow light, and also added in extra Blue Colour to help compensate, resulting in an unpleasant blue “colour cast” throughout the photo.

Here is another example of a Photo with Incorrect White Balance.

Photos by Passy White Balance 03

In the above picture on the right, the White balance was set Too High, and so the Camera removed blue light, and also added in extra red and orange colours to help compensate, resulting in an unpleasant red-orange “colour cast” throughout the photo.

We will look at some more White Balance Problems later on, but first we need to learn more about White Balance and “Colour Temperature”.

 
 

Colour Temperature

Each light source (Candles, Light Bulbs, Flourescents, Daylight, Shade, etc) has its own individual color, or “color temperature”, which varies from red to blue.

Candles, sunsets and tungsten bulbs give off light that’s close to red (hence the ‘warm’ yellow/orange look they create in digital photos).

But clear blue skies, shade, and twilight all give off a ‘cool’ blue light.

Colour temperature is recorded in Kelvin, “K”, the unit of absolute temperature.

Photos by Passy White Balance 04
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Cool colors like blue and violet generally have color temperatures over 7000K, while warmer colors like red and orange are around the 2000K mark.

Cameras have “Auto White Balance” or “AWB” which works for most conditions, but may give blue looking pictures in shade, and very yellow or orange pictures in indoor lighting.

Flourescent lights often create a Green color cast in photos.

Photos by Passy White Balance 05
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Adjusting White Balance

White Balance is the process of making objects which appear white with our eyes, actually turn out white in a Digital Photo.

If the white colour is correct, then the other colours should all appear natural as well.

Photos by Passy White Balance 06
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Auto White Balance “AWB” often only works well in a limited range of Colour Temperatures, ranging from Bright Indoor Lighting (3000K) to Average Midday Sunlight (5200K).

Photos by Passy White Balance 07
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Here is a full size version of the diagram shown above: the double red arrow shows the range in which Auto White Balance “AWB” works effectively.

Free_colour_temperature_scale_photography_cheat_sheet by Camera World

The important thing to realise is that AWB only covers a sub range of the colour spectrum, and AWB does not work well in all lighting conditions.

Outside of this “AWB” Range, we will see colour casts of Orange for Low Temperatures and Blue for High Temperatures.

 

If colours are not looking natural, it is necessary to move your camera off “AWB” and onto a preset that is suitable for the light you are shooting in.

When you set your camera’s white balance manually like this, you can choose from a number of pre-set color temperature options like Tungsten, Daylight, Cloudy and Shade, or even customize your own setting.

Photos by Passy White Balance 08
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There is usually a WB button, or a submenu on a Camera, where you can go in and choose a the specific WB Preset that you need.

Photos by Passy White Balance 09
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White Balance Examples

Here are some examples which show how Preset White Balance settings affect the colours in a photo.

Photos by Passy White Balance 10
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In these Photos the actual lighting conditions were those of full daylight.

We can see in the WB Presets, what they are actually doing to the colour.

Photos by Passy White Balance 11
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Correcting White Balance

If your Photo is too blue on the camera LCD, then INCREASE WB, or Increase Temperature.

Photos by Passy White Balance 12
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If your Photo is too orange or red on the camera LCD, then DECREASE WB, or Decrease Temperature.

Photos by Passy White Balance 13
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Sometimes the White Balance is actually correct, but there will still be colour tints and casts in the photo.

Photos by Passy White Balance 14
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Sometimes having the incorrect White Balance is actually a good thing.

If we are taking a photo in low light, using a setting of AWB or Daylight can be better than using the Light Bulb setting.

Photos by Passy White Balance 15
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Custom White Balance

For wedding photography, the white colour of the dress, and having natural colours is vitally important.

Wedding Photographers use standard white and grey sheets of cardboard to set their White Balance exactly.

Photos by Passy White Balance 16
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The idea is to take a photo of the card and use your camera’s custom white balance to set a WB to use for the given lighting conditions.

Here is a simple two minute video on how to do this.

If you don’t have a standard black/grey/white board or cards to photograph, then an approximation is to find an item which is white or light grey and use that.

Eg. When shooting a band, you could try and custom white balance using the band’s song list which you could find somewhere on the stage written on white paper.

 

Here is a Gary Fong Video on how to custom white balance on a Sony camera using one of his Grey Domes:

 
 

Adjusting White Balance in Post Processing

If we take a picture in “Raw format” with somebody holding the white balance card, then later on in post processing in a program like Adobe Lightroom, we can adjust a whole group of photos to have the correct white balance.

The following video shows how to do this.

 
 

Videos About White Balance

Here is a great 10 minute video all about white balance, which has real life examples being done by the Photographer.

It also shows how to do Custom White Balance.

 

Here is another 11 minute video all about white balance.

 
 

References and Further Reading

The following articles contain useful information about White Balance:

Cambridge In Colour White Balance Tutorial

Digital Camera World White Balance Articles Index

 
 

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Enjoy,
Passy

Bon Jovi Show – June 2014

The “Australian Bon Jovi Show” are a brilliant tribute show band from Melbourne Australia.

These photos are from their show at The Espy in St Kilda on Friday June 27th 2014.

These guys are the real deal and play all of Bon Jovi’s Greatest Hits with great gusto and perfect detail.

The crowd totally loved this band and were up dancing and singing until the early hours of the morning!

A full Flickr Gallery of Photos can be viewed here:

Flickr Photo Gallery of Bon Jovi Show June 27th 2014

Further information about Cuckoo For Caca can be found at their Facebook Page:

Australian Bon Jovi Show Facebook Page

 
 

EQUIPMENT:

Sony Alpha A-77 Camera
Tamron 17-50mm F2.8

Sony Alpha A-55 Camera
Tamron 24-70mm F2.8

Sony HVL-F43M Flash

Gary Fong Gamma Blade Diffuser

Gary Fong Collapsible Lightsphere Diffuser

Panasonic Lumix LX7 Compact Camera

(Note that this write up is mostly the same as we did for “Cuckoo For Caca”, as both bands played at The Espy on June 27th).

This shoot was in the Gershwin Room at The Espy where they usually have great lighting, but heartbreakingly nobody was working the lighting desk, and the lights were just set on “set and forget”!

This meant that the Drummer and Keyboard Player were in the shadows a lot of the time. Not at all ideal conditions for getting good photos.

The drummer was actually impossible to get a shot of, and was basically in complete darkness.

Only the singer was in reasonable good lighting, and the Bass Player was also forward on the stage in reasonable light some of the time.

The Sony A-77 had to be set to an unfavourably high ISO of 1600, Shutter 1/100, and Aperture full open at 2.8. This resulted in quite grainy shots, which were dull and dark.

The Sony A-77 really only works well up to ISO 800, because it is not a great low light camera like the Nikon cameras are. However on ISO 1000 with the Flash, and a shutter speed of 125, the A-77 is unbeatable for “Party People” shots.

In addition, a lot of the band shots were not crisp in focus, which was perhaps due to the dull light, or else due to the band members moving around a bit at the shallow Aperture of F2.8.

Auto White balance was used, because the guitarist’s pure white Kramer seemed to be coming our reasonably white during the shoot. However, once unloaded from the camera, the faces on people did have a pinkish purple hue, and so maybe we should have manually set the WB onto the white guitar. Something to try out another time.

A lot of gamma exposure had to be added in Photoshop, to reduce the background grains, as well as heavy use of the smart sharpen filter.

In addition, most of the shots were de-saturated and adjusted using Hue/Saturation in Photoshop. Shots with horrible red light on them were converted to a small set of black and whites in the Album.

“People Pictures” were taken with the Flash mainly on 1/8 Power, Manual, and 50mm wide beam. The shots were overly bright out of the camera, but then had Photoshop Exposure Gamma added into them to tone down the brightness and bring in some facial colour.

The Gary Fong Blade Diffuser did a great job as usual, and there was only a small amount of white flash burn on nose tips and cheeks, which we fixed in Photoshop using the Rubber Stamp Clone Tool, set to a transparency of 65%.

The People Pictures were left quite bright, because on energy saving mobile phones they look best when made quite bright on the PC.

 

The Sony A-55 was set to Auto SCN “Sports Mode” and used with the bigger Tamron 24-70mm lens, which seems to be a god combination and produced some great close up shots.

The Panasonic Lumix LX7 produced a few good crowd pictures, but does not seem to be working so well of late. I need to go through the CD Advanced Manual and see if some of the settings have gone astray.

 

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Go to the subscribe area on the left hand sidebar, (or down the bottom of the page if using a mobile phone), fill in your email address and then click the “Subscribe” button.

Enjoy,
Passy

Cuckoo For Caca – Espy

Cuckoo for Caca are a “Faith No More” Tribute Band from Melbourne Australia.

These photos are from their show at The Espy in St Kilda on Friday June 27th 2014.

The songs they played included all of the Faith Hits, including a brilliant rendition of the Band’s biggest hit: “Easy Like Sunday Morning”.

A full Flickr Gallery of Photos can be viewed here:

Flickr Photo Gallery of Cuckoo for Caca at Espy June 27th 2014

Further information about Cuckoo For Caca can be found at their Facebook Page:

Cuckoo For Caca Facebook Page

 
 

EQUIPMENT:

Sony Alpha A-77 Camera
Tamron 17-50mm F2.8

Sony Alpha A-55 Camera
Tamron 24-70mm F2.8

Sony HVL-F43M Flash

Gary Fong Gamma Blade Diffuser

Gary Fong Collapsible Lightsphere Diffuser

Panasonic Lumix LX7 Compact Camera

This shoot was in the Gershwin Room at The Espy where they have great lighting, but heartbreakingly nobody was working the lighting desk, and the lights were just set on “set and forget”!

This meant that the Guitarist and Bass Player were in the shadows a lot of the time, with really strong backlights behind them. Not at all ideal conditions for getting good photos.

Only the singer was in reasonable good lighting, and the drummer was in virtual darkness.

This meant that the Sony A-77 had to be set to an unfavourably high ISO of 1600, Shutter 1/100, and Aperture full open at 2.8. This resulted in quite grainy shots, which were dull and dark.

The Sony A-77 really only works well up to ISO 800, because it is not a great low light camera like the Nikon cameras are. However on ISO 1000 with the Flash, and a shutter speed of 125, the A-77 is unbeatable for “Party People” shots.

In addition, a lot of the band shots were not crisp in focus, which was perhaps due to the dull light, or else due to the band members moving around a bit at the shallow Aperture of F2.8.

Auto White balance was used, because the singer’s shirt seemed to be coming our reasonably white during the shoot. However, once unloaded from the camera, the white shirts seem to have a pinkish purple hue, and so maybe we should have manually set the WB onto the band members white shirts. Something to try out another time.

A lot of gamma exposure had to be added in Photoshop, to reduce the background grains, as well as heavy use of the smart sharpen filter.

 

The Sony A-55 was set to Auto SCN “Sports Mode” and used with the bigger Tamron 24-70mm lens, which seems to be a god combination and produced some great close up shots.

The Panasonic Lumix LX7 produced a few good crowd pictures, but does not seem to be working so well of late. I need to go through the CD Advanced Manual and see if some of the settings have gone astray.

 

Subscribe

If you enjoy visiting Photos By Passy, why not get a free subscription to the website.

You can then receive notifications of new items and updates directly to your email address.

Go to the subscribe area on the left hand sidebar, (or down the bottom of the page if using a mobile phone), fill in your email address and then click the “Subscribe” button.

Enjoy,
Passy

Morgan Evans – June 2014

Morgan Evans is a great Australian Country Rocker who is destined for International stardom.

We were lucky enough to have a break in our schedule when we found out that he was in Melbourne, and the regular in-house photographer at the venue was ill and they needed someone to do photos. What a Lucky Break!

We first saw Morgan in early 2013 at the Deniliquin Easter Festival and were totally blown away by this fresh original talent.

It was so good to see him again, and hear all those great original tunes.

What was very impressive was how much time he gave to his Melbourne Fans at the post show Meet and Greet.

“Revolver Upstairs” was a great venue to host the show, and the people there are very professional and great to work with.

A full Flickr Gallery of Photos can be viewed here:

Flickr Photo Gallery of Morgan Evans at Revolver Upstairs

 

A Flickr Gallery of the Meet and Greet Photos can be viewed here:

Flickr Photo Gallery of Morgan Evans Melbourne Meet and Greet

Further information about Morgan Evans can be found at these Facebook Pages:

Morgan Evans Music Page

Morgan Evans Fans Facebook Page

 
 

EQUIPMENT:

Camera One:

Sony Alpha A-77 Camera
Tamron 17-50mm F2.8
Sony HVL-F43M Flash
Gary Fong Gamma Blade Diffuser

Camera Two:

Sony Alpha A-55 Camera
Tamron 24-70mm F2.8

As this shoot was an important event, I took my travel photographer friend Michael along, and he took photos on the A-55 with the camera set to Auto White Balance, and Auto “SCN” mode.

The A-55 was also used with the bigger Tamron lens, and it captured some very good images which have made it into the album.

The A-77 was used for all of the wide angle shots, and People Pictures taken with the flash and diffuser.

The A-77 was set to ISO’s of 800, 1250, and even up to 1600 for shots that featured both the stage and the crowd.

All shots were done in full manual mode at Aperture of 2.8 for band photos, and varying apertures up to 5.6 for the group shots using flash.

Shutter speed was set to 1/60 through to 1/125.

Unfortunately there is a blueish almost Avatar Movie hue in several photos, which I assume is due to me not getting the color “white balance” fully correct.

I used the A-77 WB setting of “Incandescent”.

I changed to Incandescent after firing off some test shots with WB set to Auto or AWB. These shots did not look the best, and so I changed the setting Incandescent.

I tried using “Levels” in Photoshop to adjust the color balance but this did not seem to improve the blueish photos that much.

Shots taken with the A-77 appeared darker than they really should have been, because the venue seemed to have quite good lighting, especially when you compare to the A-55 shots, which had much better color in them.

Perhaps the darkness of the shots was due to having the white balance set incorrectly, as the lights were not at the color temperature of incandescent.

White Balance is something I really need to work on for future events, as this needs to be set up very carefully to get good accurate colors.

 

The previously super reliable Sony Flash decided to malfunction for some unknown reason when I started to take the “Party People” shots. For some reason it just refused to fire off.

There was a flashing green light in the display, which is an indication that the camera could not focus in the low light inside the venue. Maybe if I had put the ISO up to 1600 to trick the camera this would have made the flash come good.

I am not sure how I fixed it, but it seemed to be that with a full reboot of camera and flash, and setting the ISO to 1000, and Shutter to 1/125, everything seemed to suddenly be normal.

It was great fun shooting Morgan, and hopefully he will be back in Melbourne later this year.

 

Subscribe

If you enjoy visiting Photos By Passy, why not get a free subscription to the website.

You can then receive notifications of new items and updates directly to your email address.

Go to the subscribe area on the left hand sidebar, (or down the bottom of the page if using a mobile phone), fill in your email address and then click the “Subscribe” button.

Enjoy,
Passy

Adam and Casey Duo

Adam and Casey are a great duo who perform a diverse range of songs on most Friday Nights at the Berwick Inn.

On this shoot I used the Lumix LX7, which is a great compact camera for low light, as well as the Sony A-77.

The duo were performing under the normal incandescent light in the venue, but I elected not to use any Flash, so as to retain the ambience of the setting.

A full Flickr Gallery of Photos can be viewed here:

Flickr Photo Gallery of Adam and Casey at the Berwick Inn

 
 

EQUIPMENT:

Sony Alpha A-77 Camera
Sony 35mm F1.8 Portrait Lens
Tamron 17-50mm F2.8
Panasonic Lumix LX7 Compact Camera

This shoot was the classic low light situation, with only plain incandescent lighting, like you would have from a low wattage light bulb in your lounge room.

The minimum ISO which could be used on the A-77 was ISO 800, and some shots were pushed up to ISO 1250. Shutter speed was varied from 1/60th to 1/125th.

Started off the shoot using the 35mm F1.8 portrait lens, and every second shot was out of focus, but the ones which were in focus were quite usable. I should perhaps have tried some continuous shooting so that the camera could get into a focus. The challenge with that F1.8 lens is keeping as still as possible while shooting, as just the slightest movement at an F1.8 aperture can throw the shot out of focus.

As always, shooting was in JPEG, spot metering was used, face recognition was turned on, and the camera was used in “M” fully manual mode.

I then changed lenses and used the 17-50mmm F2.8 Tamron, but even fully open at F2.8 it was finding the lighting difficult.

I also took some shots with the Lumix Lx-7, but unbeknownst to me, the auto focus switch had slipped onto macro plant shooting focus, and this is probably why I did not get a lot of great shots from the Lumix.

The brightness of the Lumix shots I did get was quite good at ISO 800, and it is much better in low light for brightened exposure than the Sony A-77.

Shots were brightened up in Photoshop, and Sharpness and a tiny amount of Gamma was added to some shots.

Overall the results were quite good given the very average lighting conditions.

 

Subscribe

If you enjoy visiting Photos By Passy, why not get a free subscription to the website.

You can then receive notifications of new items and updates directly to your email address.

Go to the subscribe area on the left hand sidebar, (or down the bottom of the page if using a mobile phone), fill in your email address and then click the “Subscribe” button.

Enjoy,
Passy