All posts by Passy

Kisstroyer – July 2014

These guys are so much like Kiss that it is spooky!

They are one of the best Kiss Tribute bands going around, but be prepared because they are very Loud.

A great 110 percent show of Kiss Songs, delivered by the Kisstroyer band at the Sandbelt Hotel, to a very large and appreciative crowd.

A full Flickr Gallery of Band Photos can be viewed here:

Flickr Photo Gallery of Kisstroyer July 19th 2014

 

A full Flickr Gallery of “Meet and Greet” Photos can be viewed here:

Flickr Photo Gallery of Kisstroyer Post-Show Meet and Greet

Further information about Kisstroyer can be found at their Facebook Page:

Kisstroyer Facebook Page

Kisstroyer also has a website at the following link:

Kisstroyer Website

 
 

EQUIPMENT:

Sony Alpha A-77 Mk II Camera
Sony 18-50mm F2.8 kit lens

Sony Alpha A-55 Camera
Tamron 24-70mm F2.8

Sony HVL-F43M Flash
Gary Fong Gamma Blade Diffuser

Panasonic Lumix LX7 Compact Camera

This shoot was a two camera shoot with myself using the Sony A77, and my assistant Julie using the Sony A55.

Some distant large size crowd shots were also taken using the Lumix LX7 Compact Camera.

All of the post-show “Meet and Greet” photos were taken with the A-77 and the Sony Flash and Gary Fong Diffuser.

This was the first shoot I have done using the upgraded Sony A-77 Mk II camera teamed with the Sony 18-50mm lens, rather than the original A-77 with the Tamron 17-50mm that I have been using previously.

It is still to early to tell if the new A-77 MK II setup with the Sony lens is superior to the original A-77 with the Tamron, but it certainly produced some good shots at this gig. It also seemed to focus a lot quicker.

The challenge at this shoot was the rapidly changing lighting conditions. These quickly went from full on bright light, to colored lights, to smoke machine, and to very bright lights shining straight out from behind the band. I found myself continually adjusting the ISO up and down between ISO 200 and ISO 1600.

It was a case of shoot, check the shot quickly, adjust the ISO and shoot again, and then keep repeating until it looked best. Then as soon as the lighting changed, repeat the whole process again.

All A-77 Band shots were all done in full manual “M” mode, with shutter speeds between 1/80 and 1/125 and Aperture kept at f2.8 .

The ever faithful Sony A-55 continues to get good shots when teamed with the Tamron 24-70mm F2.8 lens. This seems to be a great combination, and the camera is left set on “SCN” and “Sports” mode and was used by my assistant Julie as if it was a simple Point and Shoot camera. Even though it is several years old, I am not going to sell off this camera anytime soon! It just goes to prove the old saying: “It is all in the glass”. (The glass being the lens that you are using).

The Lumix LX7 did not get many good shots, but was okay for the occasional wide angle crowd shot.

Sony are not known as great low light cameras compared to Nikon and Canon, but I am quite happy with the shots I am getting, although they are slightly darker than I would like sometimes.

They seem to be reasonably sharp, and I love the colours that come out of Sony cameras.

For now I am remaining a Sony Fan Boy!

 

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Enjoy,
Passy

Aarons 30th Birthday

This was a great fun 80’s Theme Fancy Dress Party at a really nice venue called “Smiles” in Warranwood.

Plenty of colourful costumes and fun times made this a great photoshoot.

A full Flickr Gallery of Photos can be viewed here:

Flickr Photo Gallery of Aaron’s 30th Birthday

 

EQUIPMENT:

Sony Alpha A-77 Camera
Tamron 17-50mm F2.8

Sony HVL-F43M Flash
Gary Fong Gamma Blade Diffuser

This shoot was reasonably straight forward, and was done entirely with Flash.

The only issue was that some of the background walls were a light grey colour, which did cause a lot of light reflection when the flash went off.

The venue also contained two huge mirrrors, and so people had to be positioned so that the mirrors would not pick up any of the flash in them.

The Sony A77 revelled in these conditions, as Sony photos love bright colours and capture them beautifully.

The Flash unit was set to Manual, and a width of 50mm used for most shots, and the power varied and shots repeated if they were too dull. This was especially the case on larger group shots which were shot at an aperture of F5.0 to get everyone in focus.

The camera was also set to full Manual Mode, “M” with ISO set at 1000, shutter speed at 1/125, and Aperture varied from 2.8 to 5.0 depending on how many people were in the Group.

Overall a great fun shoot, and the resulting photos really pleased the Client.

 

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You can then receive notifications of new items and updates directly to your email address.

Go to the subscribe area on the left hand sidebar, (or down the bottom of the page if using a mobile phone), fill in your email address and then click the “Subscribe” button.

Enjoy,
Passy

How To Do White Balance

Photos by Passy White Balance 01

Different light sources produce light with slightly different colour tints, but our eyes do a great job correcting these variations.

Humans do not see a shift in colour as we move from a sunny garden into a shaded area, or go into a room and turn a light on.

Generally wherever we are, a piece of plain white paper always looks white.

However Digital Cameras DO detect light source differences, and sometimes create pictures with incorrect looking colours in them.

We need to know how to perform “white balance” adjustments, so that we can obtain pictures with realistic colours in them.

 

Here is a great five minute introductory video about White Balance.

White Balance is very mathematical in nature. There is a Scale of Colour Temperature, and a range of camera settings to be matched up with positions on this scale.

There is also the notion of positive and negative amounts, where we add in more of the opposite colour, to counteract a particular colour tint, hue, or cast in the photo.

 
 

White Balance Problems

If we do not set the White balance correctly, we get photos with unpleasant colouring in them.

Here is an example of a Photo with Incorrect White Balance.

Photos by Passy White Balance 02

In the above picture on the right, the White balance was set Too Low, and so the Camera removed orange and yellow light, and also added in extra Blue Colour to help compensate, resulting in an unpleasant blue “colour cast” throughout the photo.

Here is another example of a Photo with Incorrect White Balance.

Photos by Passy White Balance 03

In the above picture on the right, the White balance was set Too High, and so the Camera removed blue light, and also added in extra red and orange colours to help compensate, resulting in an unpleasant red-orange “colour cast” throughout the photo.

We will look at some more White Balance Problems later on, but first we need to learn more about White Balance and “Colour Temperature”.

 
 

Colour Temperature

Each light source (Candles, Light Bulbs, Flourescents, Daylight, Shade, etc) has its own individual color, or “color temperature”, which varies from red to blue.

Candles, sunsets and tungsten bulbs give off light that’s close to red (hence the ‘warm’ yellow/orange look they create in digital photos).

But clear blue skies, shade, and twilight all give off a ‘cool’ blue light.

Colour temperature is recorded in Kelvin, “K”, the unit of absolute temperature.

Photos by Passy White Balance 04
Image by Photos By Passy – For Educational Use Only

 

Cool colors like blue and violet generally have color temperatures over 7000K, while warmer colors like red and orange are around the 2000K mark.

Cameras have “Auto White Balance” or “AWB” which works for most conditions, but may give blue looking pictures in shade, and very yellow or orange pictures in indoor lighting.

Flourescent lights often create a Green color cast in photos.

Photos by Passy White Balance 05
Image by Photos By Passy – For Educational Use Only

 
 

Adjusting White Balance

White Balance is the process of making objects which appear white with our eyes, actually turn out white in a Digital Photo.

If the white colour is correct, then the other colours should all appear natural as well.

Photos by Passy White Balance 06
Image by Photos By Passy – For Educational Use Only

 

Auto White Balance “AWB” often only works well in a limited range of Colour Temperatures, ranging from Bright Indoor Lighting (3000K) to Average Midday Sunlight (5200K).

Photos by Passy White Balance 07
Image by Photos By Passy – For Educational Use Only

Here is a full size version of the diagram shown above: the double red arrow shows the range in which Auto White Balance “AWB” works effectively.

Free_colour_temperature_scale_photography_cheat_sheet by Camera World

The important thing to realise is that AWB only covers a sub range of the colour spectrum, and AWB does not work well in all lighting conditions.

Outside of this “AWB” Range, we will see colour casts of Orange for Low Temperatures and Blue for High Temperatures.

 

If colours are not looking natural, it is necessary to move your camera off “AWB” and onto a preset that is suitable for the light you are shooting in.

When you set your camera’s white balance manually like this, you can choose from a number of pre-set color temperature options like Tungsten, Daylight, Cloudy and Shade, or even customize your own setting.

Photos by Passy White Balance 08
Image by Photos By Passy – For Educational Use Only

There is usually a WB button, or a submenu on a Camera, where you can go in and choose a the specific WB Preset that you need.

Photos by Passy White Balance 09
Image by Photos By Passy – For Educational Use Only

 
 

White Balance Examples

Here are some examples which show how Preset White Balance settings affect the colours in a photo.

Photos by Passy White Balance 10
Image by Photos By Passy – For Educational Use Only

In these Photos the actual lighting conditions were those of full daylight.

We can see in the WB Presets, what they are actually doing to the colour.

Photos by Passy White Balance 11
Image by Photos By Passy – For Educational Use Only

 
 

Correcting White Balance

If your Photo is too blue on the camera LCD, then INCREASE WB, or Increase Temperature.

Photos by Passy White Balance 12
Image by Photos By Passy – For Educational Use Only

If your Photo is too orange or red on the camera LCD, then DECREASE WB, or Decrease Temperature.

Photos by Passy White Balance 13
Image by Photos By Passy – For Educational Use Only

Sometimes the White Balance is actually correct, but there will still be colour tints and casts in the photo.

Photos by Passy White Balance 14
Image by Photos By Passy – For Educational Use Only

Sometimes having the incorrect White Balance is actually a good thing.

If we are taking a photo in low light, using a setting of AWB or Daylight can be better than using the Light Bulb setting.

Photos by Passy White Balance 15
Image by Photos By Passy – For Educational Use Only

 
 

Custom White Balance

For wedding photography, the white colour of the dress, and having natural colours is vitally important.

Wedding Photographers use standard white and grey sheets of cardboard to set their White Balance exactly.

Photos by Passy White Balance 16
Image by Photos By Passy – For Educational Use Only

The idea is to take a photo of the card and use your camera’s custom white balance to set a WB to use for the given lighting conditions.

Here is a simple two minute video on how to do this.

If you don’t have a standard black/grey/white board or cards to photograph, then an approximation is to find an item which is white or light grey and use that.

Eg. When shooting a band, you could try and custom white balance using the band’s song list which you could find somewhere on the stage written on white paper.

 

Here is a Gary Fong Video on how to custom white balance on a Sony camera using one of his Grey Domes:

 
 

Adjusting White Balance in Post Processing

If we take a picture in “Raw format” with somebody holding the white balance card, then later on in post processing in a program like Adobe Lightroom, we can adjust a whole group of photos to have the correct white balance.

The following video shows how to do this.

 
 

Videos About White Balance

Here is a great 10 minute video all about white balance, which has real life examples being done by the Photographer.

It also shows how to do Custom White Balance.

 

Here is another 11 minute video all about white balance.

 
 

References and Further Reading

The following articles contain useful information about White Balance:

Cambridge In Colour White Balance Tutorial

Digital Camera World White Balance Articles Index

 
 

Subscribe

If you enjoy visiting Photos By Passy, why not get a free subscription to the website.

You can then receive notifications of new items and updates directly to your email address.

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Enjoy,
Passy

Bon Jovi Show – June 2014

The “Australian Bon Jovi Show” are a brilliant tribute show band from Melbourne Australia.

These photos are from their show at The Espy in St Kilda on Friday June 27th 2014.

These guys are the real deal and play all of Bon Jovi’s Greatest Hits with great gusto and perfect detail.

The crowd totally loved this band and were up dancing and singing until the early hours of the morning!

A full Flickr Gallery of Photos can be viewed here:

Flickr Photo Gallery of Bon Jovi Show June 27th 2014

Further information about Cuckoo For Caca can be found at their Facebook Page:

Australian Bon Jovi Show Facebook Page

 
 

EQUIPMENT:

Sony Alpha A-77 Camera
Tamron 17-50mm F2.8

Sony Alpha A-55 Camera
Tamron 24-70mm F2.8

Sony HVL-F43M Flash

Gary Fong Gamma Blade Diffuser

Gary Fong Collapsible Lightsphere Diffuser

Panasonic Lumix LX7 Compact Camera

(Note that this write up is mostly the same as we did for “Cuckoo For Caca”, as both bands played at The Espy on June 27th).

This shoot was in the Gershwin Room at The Espy where they usually have great lighting, but heartbreakingly nobody was working the lighting desk, and the lights were just set on “set and forget”!

This meant that the Drummer and Keyboard Player were in the shadows a lot of the time. Not at all ideal conditions for getting good photos.

The drummer was actually impossible to get a shot of, and was basically in complete darkness.

Only the singer was in reasonable good lighting, and the Bass Player was also forward on the stage in reasonable light some of the time.

The Sony A-77 had to be set to an unfavourably high ISO of 1600, Shutter 1/100, and Aperture full open at 2.8. This resulted in quite grainy shots, which were dull and dark.

The Sony A-77 really only works well up to ISO 800, because it is not a great low light camera like the Nikon cameras are. However on ISO 1000 with the Flash, and a shutter speed of 125, the A-77 is unbeatable for “Party People” shots.

In addition, a lot of the band shots were not crisp in focus, which was perhaps due to the dull light, or else due to the band members moving around a bit at the shallow Aperture of F2.8.

Auto White balance was used, because the guitarist’s pure white Kramer seemed to be coming our reasonably white during the shoot. However, once unloaded from the camera, the faces on people did have a pinkish purple hue, and so maybe we should have manually set the WB onto the white guitar. Something to try out another time.

A lot of gamma exposure had to be added in Photoshop, to reduce the background grains, as well as heavy use of the smart sharpen filter.

In addition, most of the shots were de-saturated and adjusted using Hue/Saturation in Photoshop. Shots with horrible red light on them were converted to a small set of black and whites in the Album.

“People Pictures” were taken with the Flash mainly on 1/8 Power, Manual, and 50mm wide beam. The shots were overly bright out of the camera, but then had Photoshop Exposure Gamma added into them to tone down the brightness and bring in some facial colour.

The Gary Fong Blade Diffuser did a great job as usual, and there was only a small amount of white flash burn on nose tips and cheeks, which we fixed in Photoshop using the Rubber Stamp Clone Tool, set to a transparency of 65%.

The People Pictures were left quite bright, because on energy saving mobile phones they look best when made quite bright on the PC.

 

The Sony A-55 was set to Auto SCN “Sports Mode” and used with the bigger Tamron 24-70mm lens, which seems to be a god combination and produced some great close up shots.

The Panasonic Lumix LX7 produced a few good crowd pictures, but does not seem to be working so well of late. I need to go through the CD Advanced Manual and see if some of the settings have gone astray.

 

Subscribe

If you enjoy visiting Photos By Passy, why not get a free subscription to the website.

You can then receive notifications of new items and updates directly to your email address.

Go to the subscribe area on the left hand sidebar, (or down the bottom of the page if using a mobile phone), fill in your email address and then click the “Subscribe” button.

Enjoy,
Passy

Cuckoo For Caca – Espy

Cuckoo for Caca are a “Faith No More” Tribute Band from Melbourne Australia.

These photos are from their show at The Espy in St Kilda on Friday June 27th 2014.

The songs they played included all of the Faith Hits, including a brilliant rendition of the Band’s biggest hit: “Easy Like Sunday Morning”.

A full Flickr Gallery of Photos can be viewed here:

Flickr Photo Gallery of Cuckoo for Caca at Espy June 27th 2014

Further information about Cuckoo For Caca can be found at their Facebook Page:

Cuckoo For Caca Facebook Page

 
 

EQUIPMENT:

Sony Alpha A-77 Camera
Tamron 17-50mm F2.8

Sony Alpha A-55 Camera
Tamron 24-70mm F2.8

Sony HVL-F43M Flash

Gary Fong Gamma Blade Diffuser

Gary Fong Collapsible Lightsphere Diffuser

Panasonic Lumix LX7 Compact Camera

This shoot was in the Gershwin Room at The Espy where they have great lighting, but heartbreakingly nobody was working the lighting desk, and the lights were just set on “set and forget”!

This meant that the Guitarist and Bass Player were in the shadows a lot of the time, with really strong backlights behind them. Not at all ideal conditions for getting good photos.

Only the singer was in reasonable good lighting, and the drummer was in virtual darkness.

This meant that the Sony A-77 had to be set to an unfavourably high ISO of 1600, Shutter 1/100, and Aperture full open at 2.8. This resulted in quite grainy shots, which were dull and dark.

The Sony A-77 really only works well up to ISO 800, because it is not a great low light camera like the Nikon cameras are. However on ISO 1000 with the Flash, and a shutter speed of 125, the A-77 is unbeatable for “Party People” shots.

In addition, a lot of the band shots were not crisp in focus, which was perhaps due to the dull light, or else due to the band members moving around a bit at the shallow Aperture of F2.8.

Auto White balance was used, because the singer’s shirt seemed to be coming our reasonably white during the shoot. However, once unloaded from the camera, the white shirts seem to have a pinkish purple hue, and so maybe we should have manually set the WB onto the band members white shirts. Something to try out another time.

A lot of gamma exposure had to be added in Photoshop, to reduce the background grains, as well as heavy use of the smart sharpen filter.

 

The Sony A-55 was set to Auto SCN “Sports Mode” and used with the bigger Tamron 24-70mm lens, which seems to be a god combination and produced some great close up shots.

The Panasonic Lumix LX7 produced a few good crowd pictures, but does not seem to be working so well of late. I need to go through the CD Advanced Manual and see if some of the settings have gone astray.

 

Subscribe

If you enjoy visiting Photos By Passy, why not get a free subscription to the website.

You can then receive notifications of new items and updates directly to your email address.

Go to the subscribe area on the left hand sidebar, (or down the bottom of the page if using a mobile phone), fill in your email address and then click the “Subscribe” button.

Enjoy,
Passy